A Reason for Each Season
By Cindy
Reitzi
September 2003
Some years back, I saw a commercial advertising a “back-to-school” sale.
A woman calls to a male voice under bed covers, “Get up! It’s
time to go to school.”
“But I don’t wanna…” protests the whiny voice under the
covers. This exchange repeats itself a couple of times until the woman delivers
the punch line, “You have to go to school. You’re the principal.”
Even
the most dedicated educators have felt this way in August, when back-to-school
ads remind us it’s “that time of year” again. Some people
just need to gear up for the start of school. They need to start the mental
neurons
firing again or go get back-to-school supplies to get back to reality. For
me, it’s like a long period of inactivity, then gearing up to exercise
seriously. It’s a little like learning to swim again. The relaxed part
of me rebels against shifting into high gear again. Last June, I went from
constant motion,
planning, and grading to a total standstill collapse. (I usually need a day
or two of long stretches of sleep after an active school year). Now we return
to
another season in transition: summer mode to school mode. “Summer mode” is
large, luxurious blocks of unscheduled time to travel and pursue projects – and
reading left on the back burner of the school year. Even for the many of us
who spend the summer earning credits, volunteering our time, or working to
earn a
few extra bucks, the pace and the stress level is reduced. “School mode” is
every minute, hour, lesson, unit, and grading period planned out with calibrated
bells to punctuate time and mark the movement of people. Time counts are 50
precious minutes of substantive activities. And yet, with these structural
limitations,
teachers still manage to encourage creativity and learning in the classroom.
The
other creaky part of this transition is the unknown factor. We usually don’t
know which students we are getting and whither the mix will be. Will we have
the right chemistry: just enough spontaneous talkers and pensive thinkers
to make it interesting, or will we get a roomful of near-dead, silent creatures
waiting for everyone else to speak? This can provoke the do-I-remember-how-to-do-this-job
doubts.
Nonetheless, you start to plan. And along with planning
come the Ghosts (some
friendly and some demons) of School Past, replaying flashes of past mistakes
and dreaded situations you hope never to replicate, but also recalling
passionate classes, with the types of energy and lessons you long to
repeat.
Lately, my nightmares flash back to a first-hour class
of silent death masks whose reaction time was 20 minutes tops. It was
populated
with some
second-semester
senior-types I hope never to encounter again. It’s not just that
they slacked off second semester, missed deadlines, got zeroes in record
percentages, practiced ‘selective
hearing’ on instructions, and made me fill out too many of those “seniors
in danger of failure” forms for guidance. That would have been
bad enough if they had taken responsibility for their own actions. Instead,
some blamed
me because they didn’t take responsibility for their own actions
and then engaged me in surreal conversations (like questioning why I
wouldn’t
excuse a deadline missed over an unexcused “Senior Skip Day”;
or why, according to one girl, I allegedly told only her not to complete
an assignment that everybody
else had to do). I did learn that I needed to change my approach to deadlines.
Sometimes irritation is the mother of conventions.
On the other hand,
I have sharp, pleasant memories of student lessons, like aromas of
favorite food, that I hope to experience again. Last semester,
students created
posters that represented themes in the books they were reading. They
then presented their posters in oral presentations. Several students
showed
me
the impact
of visualizing ideas in a piece of literature, both as symbol and analysis.
One
artistic student represented the themes of black women’s oppression,
religion and nature in “The Color Purple” by Alice Walker,
by fashioning symbols for each. I was impressed by how the poster’s
symbols and her explanation of them expressed crucial themes in the
book. It was powerful visual shorthand.
I realized I wanted to do more with visual learning with my students.
So I have this to look forward to.
Summer conventions like sun, vacation,
humidity and mosquitoes come to an end and give way to crisp breezes,
aromatic harvests, and color
palettes
of leaves
making the transition from trees to fall carpets. Every season has
its purpose.
Still, once the first day of school arrives, there’s no more
time to test the waters. You dive off the deep end, touch the bottom
to check for depth, and
then surge upward, breaking to the surface, sputtering a bit. The water
is a cold but expected shock, but as your muscles start to work, they
regain the memory
of something called swimming and propel you through the water. It gets
easier, and it refreshes. And after that first plunge, you remember
how to swim again.
Posted September 10, 2003