Get Emotional with Your Reading
By Doug
Buehl,
Madison East High School teacher
Member, Wisconsin State Reading Association
December 2003
The face of a massive stone statue suddenly shifts,
producing a gloomy opening. Through this fissure, a hideous slithering
form emerges. The basilisk, a serpent with fangs dripping with venom,
begins to uncoil its lethal, tree trunk-sized body. Inexorably, with
piercing evil eyes, the snake advances for the kill.
What would you be feeling, if this were happening
to you? What was Harry Potter feeling?
Exciting fiction can put us on the edge of our chairs;
it can rile up our emotions and place us vicariously in the midst of
the action. In the climactic scene described above, from J. K. Rowling’s
“Harry Potter and the Chamber of Secrets,” Harry confronts
his nemesis Lord Voldemort and the murderous basilisk. And what was
Harry feeling as this scene unfolds?
Certainly, our imaginations as readers are a great
help. When we consider how we would feel if we were facing such a predicament,
we can empathize with a character in a story. But, in addition, authors
help us gauge the emotions of a passage through their use of well-chosen
language. Thus Rowling guides us through this scene by referring to
Harry with phrases such as “horror-struck,” “fear
spreading up his numb legs,” “trembled,” running “blindly
sideways,” and so forth. An author’s choice of words provides
readers with cues that help us access the emotions of a text.
Tracking the emotional content of a text is a particularly
effective comprehension strategy, especially when feelings in a passage
are implied rather than directly stated. Developing sensitivity to emotional
sub-currents in prose can spark inferential thinking, as we grapple
with what an author may be trying to tell us.
The Strategy
Emotion Coding is an extension of text coding that can be used for both
fiction and nonfiction texts. Previous columns have described a number
of possible codes that students may use while reading: R – this
reminds me of something I already know; V – I can see this as
a visual image; Q – a question I am wondering about; I –
an inference I am making; * – something very important; and ?
– something that confuses me.
Step 1: After students become practiced with
using text coding as a strategy, introduce “E” as a code
for emotional content. Model coding for emotions by using a short text
on an overhead transparency. Think aloud as you notice segments that
indicate feelings or elicit feelings on the part of the reader. For
example, an excerpt from a National Geographic magazine article on grizzly
bears provides an opportunity to identify emotional content in a passage.
I will mark an “E” next to this section
on the reintroduction of grizzlies. The author describes people living
in the Yellowstone area as “nervous” about the growth of
the grizzly population. I infer this nervousness might be explained
by the statistics on human attacks: grizzlies on average injure seven
people and kill two each year.
The next paragraph describes how a rancher saw a grizzly
near his home and now he won’t let his children go outdoors by
themselves. I infer that he is afraid that his children could be threatened.
I will also mark an “E” next to this section,
where sheep ranchers are concerned that the bears will invade their
grazing range. They refer to the bears as predators and talk about their
property rights – they feel they have a right to protect their
property.
Finally, I will mark this quote that talks about “disfigurements”
and “dismemberings.” These are highly emotional terms, and
the speaker vividly compares grizzlies in his”backyard”
with “convicted, child-molesting repeat sex offenders.”
He talks about bear advocates with considerable anger, but I infer that
he might also be fearful.
The above think-aloud demonstrates how to highlight
emotional aspects in a text. Once emotional aspects have been coded,
discussion can proceed to important questions suggested by the presence
of these feelings: Why do grizzly bears evoke such strong reactions?
How should these feelings be factored into issues like protecting endangered
species and reintroducing dangerous animals into wild areas? Should
people feel the way they do about grizzlies? To what extent is the substantial
growth of the human population in this area a major contributor to conflict
with grizzlies? Can humans co-exist with dangerous wild animals?
Step 2: Students may now be asked to “emotion
code” a new selection. If they are reading a text that can be
written upon, they proceed to place an “E” in the margin
next to any segment in which they detect emotional nuances. As an alternative,
for texts that cannot be marked, supply each student with several small
sticky notes.
A third option is a variation of two column notes. Have students draw
a line down the center of a sheet of notebook paper. On the left side
– labeled “Statements That Show Emotion” – students
record phrases or sentences that contain emotional content. On the right
side – “What These Emotions Tell Us” – students
write their thinking about what these emotions might mean.
Step 3: Students should also be encouraged
to track their own emotional responses to their reading. Writers sometimes
seek to trigger a certain reaction from their readers. In addition,
as students use their imaginations to connect to a text, they may identify
with circumstances that evoke feeling. Emotion Coding can be subdivided
to “AE” for “Author Emotions,” to indicate feelings
suggested by the author, and “ME” for “My Emotions,”
to acknowledge feelings experienced by the reader that were prompted
by a text.
Step 4: Emotion Coding is a particularly powerful
strategy for fiction. Attending to emotional indicators helps readers
tap into a number of key facets of prose literature: How do the various
characters feel about each other? Why do they feel the way they do?
How does the author want readers to feel about various characters or
actions? How would you feel if the events of the story were happening
to you?
Posted November 24, 2003